DONNA BYARS—SELECTED BIBLIOGRAPHY
Aldrich, Larry. Introduction, Contemporary Reflections 1975‑76, catalogue, May 1976.
Alloway, Lawrence. Art, The Nation, November 8, 1975.
Anderson, Amy. Art (review), Village Voice, June 5, 1979.
Ashberry, John. The Sculpture of Summer, New York Magazine, July 23, 1979
Burnside, Madeline and Ingberman, Jeanette. Private Icon, catalogue, The Bronx Museum of Art, March 1979.[pages 1-2]
Cohen, Rebecca S. You Are What You Art. The Austin Chronicle, Austin, Texas, July 19, 1999.
Collischan, Judy. Made in the U.S.A.: Modern/Contemporary Art in America, iUniverse: Bloomington, IN. 2010.
Collischan Van Wagner, Judy. Public Art Program, Long Island University, C.W. Post Campus, 1985–1988.
Cone, Michele. Introduction, Totems, Fetishes, and Devotional Objects, catalogue, May 1980.
Gussow, Alan. Donna Byars, America the Beautiful Fund. Summer 1976.
Dunbar, Jill. Byars Assemblages: Ritualistic Elegance. Review, Art / Four Shows That Go Beyond Canvas. Villager, May 1, 1977.
Du Plessis, Nancy. Yonkers: An Art Colony Grows, Westchester Magazine, April 1978.
Feinberg, Jean. Look Before You Read—An Anti Statement, catalogue, Robert Freidus Gallery, April 1978.
Frankel, David (editor). Sniper’s Nest: Art that has lived with Lucy R. Lippard, catalogue. Bard College, Annandale-on-Hudson, 1996.
Glueck, Grace. New Sculpture Under the Sun, from Staten Island to the Bronx, The New York Times, August 3, 1979.
Greenspan, Stuart. Thirteen Sculptors: Robert Freidus Gallery, Artforum, October 1978.
Gussow, Alan. Artists In Residence 1975-1976-1977. Palisades Interstate Park, 1977.[Introduction] [page 2]
Gussow, Alan. A.I.R. Gallery, March 31—April 18, 1987. Artist-In-Residence, American Academy in Rome, 1986.
Hammond, Harmony. A Sense of Touch. Heresies #12:SEX ISSUE, 1981, and Wrappings: Essays on Feminism, Art, and the Martial Arts, 1984.
Hess, Elizabeth. Group Flex, Village Voice, December 31, 1980.
Jaeger, Williams. Inspired by Moby Dick. Times Union, Albany, New York, June 21, 1998.
Kelly, James J. The Sculptural Idea, (3rd Edition, Burgess Publishing Company).
Kerswill, Margaret D. Summoned by the Spring, 10 Years of Public Art, catalogue, Hillwood Art Museum, Long Island University, C. W. Post Campus, Brookville, New York, 1994.
Kingsley, April. Have We Overcome? Village Voice, February 13,1978.
Kuspit, Donald. Curated Slides, A.l.R. Gallery.
Kreisberg, Louisa. Gals, Stronger Than Men in Sculpture, The Daily News, Tarrytown,New York, April 13, 1979.
Lady‑Unique, Inclination‑of‑the‑Night Collective. Whatever is Sacred, Autumn 1980, Autumn 1983.
Lauter, Estella. Women as Mythmakers: Poetry and Visual Art by Twentieth Century Women. Indiana University Press, Bloomington. 1984.
[page 155]
Lippard, Lucy R. Overlay: Contemporary Art and the Art of Prehistory. The New Press, New York, 1983., Image 28C. Donna Byars: Dream Stones, 1979. Wave Hill sculpture show. [page 39]
Lipson, Karin. Work On the Cutting Edge: by 30 artists, chosen by 10 curators, through June 25 at the Fine Arts Museum of Long Island. Newsday: The Long Island Newspaper. 1989.
Lubell, Ellen. Review, Arts Magazine, December 1975.
Lubell, Ellen. Review, Arts Magazine,March 1976.
Lubell, Ellen. Review, Arts Magazine, September 1977.
Lubell, Ellen. Review, , The Soho Weekly News, July 5, 1979.
Lubell, Ellen. Women Artists: Self-Images, exhibition catalogue, 16 exhibits curated by the New York Chapter of the Women's Caucus for Art. February 1982. [page 31]
Mahoney, Robert. Review, Arts Magazine, November 1988.
Massie, Rebecca. The Sydney and Frances Lewis Contemporary Art Collection catalogue, Introduction, Virginia Museum, Richmond, 1980.
Miller, Lynden. Contact: Women and Nature, Women Artist Newsletter, April 1977.
Moore, Sylvia. Contact: Women and Nature, The Feminist ArtJournal, Spring 1977.
Nairne, Sandy. Thinking About Exhibitions, The Institutionalization of Dissent. Reesa Greenberg, Bruce W Ferguson, Sandy Nairne, editors. Routledge, London 1996.Olejarz, Harold. Review, Contemporary Sculpture. Arts Magazine, September 1978.
Orenstein, Gloria Feman. Reemergence of the Archetype of the Great Goddess in Art by Contemporary Women. Heresies, fifth issue (Goddess issue), 1978. La Réémergence de la Grande Déesse dans l’Art Feminin Contemporain, Sorcières, 1980 [page 79]
Orenstein, Gloria Feman. The Green Stubborn Bud: Women's Culture at Century's Close. Kathryn F. Clarenbach, Edward L. Kamarck, editors. The Scarecrow Press, Inc: London. 1987.[page 47]
Orenstein, Gloria Feman. The Reflowering of the Goddess, Pergamon Press.
Orenstein, Gloria Feman. Visibly Female: Feminism and Art Today. Hilary Robinson, editor. Universe Books: New York. 1987. [page 165]
Perreault, John. Sculpture Garden Treasure Hunt, The Soho Weekly News, June14, 1979.
Perreault, John. Magical Mystery Tour, The Soho Weekly News, June 11, 1980.
**Personaggi Contemporanei, Edizioni Accademia Italia, Salsomaggiore, Italy, 1981.
Phillips, Marcy S. and Goode-Bryant, Linda. Contextures, Just Above Midtown, New York, NY 1978.
Phillips, Patricia. Review, Artforum, April 1985.
Raynor, Vivien. Education in the Great Outdoors, The New Yorker, July 29, 1979.
Robins, Corinne. Artists In Residence: The First Five Years, Womanart, Winter 1977.
Robins, Corinne. Women and Wood: The Metaphorical Use of Form. Katonah Museum of Art, June 1993.
Rosenblum, Richard. Sticks. The Addison Gallery of American Art, Phillips Academy Catalogue. Featured artwork: Evensong, 1978 [page 4] Andover, Massachusetts, 1984.[page 3]
Rubenstein, Charlotte Streifer. American Women Sculptors. G.K. Hall & Co., Boston, MA, 1990.
Rubenstein, Charlotte Streifer. In Three Dimensions: Women Sculptors of the '90s.
Russell, John. Art People. The New York Times, September 3, 1976.
Seigel, Judy. Mutiny and the Mainstream: Talk that Changed Art, 1975-1990. Midmarch Arts Press, New York, 1992.
Shaunghnessy, Michael. Donna Byars Sculpture. University of Southern Maine Art Gallery, Portland, Maine, 1992
Simpson, Patricia A. Tarantella. P.S. 122 Gallery, exhibition catalogue. New York, N.Y., 1997.
**Newhouse Center for Contemporary Art, in conjunction with the Women's Caucus for Art, NYC Chapter, Staten Island, N.Y., 1995., [page 15]
Tannenbaum, Judith. New York Art Yearbook: 1975-1976. Volume 1. Noyes Art Books, New York 1976. [page 17]
Thea, Carolee. Review, Womanart,' Fall 1977.A.I.R., April 30-May 25)
Tully, Judd. Wave Hill: The Artist's View Looking at Sculpture, A Guide for Young People, catalogue, 1979.
Turner, Kay, Whatever is Sacred, lady‑unique‑inclination‑of‑the‑night, Cycle 5, Autumn 1980.
Turner, Kay. Tile Altars—VI, lady-unique-inclination-of-the-night, Cycle 6, Autumn 1983.
**Women's Art 1977: Momentum and Response,
Turner, Kay, Beautiful Necessity: The Art and Meaning of Women's Altars, Thames and Hudson, New York, NY, 1999.
Van Wagner, Judy Collischan; Becker Davis, Carol. Unaffiliated IV, Hillwood Art Gallery exhibition, C.W. Post Campus, Long Island University, catalogue, 1986.
Van Wagner, Judy Collischan. Public Art Program, Long Island University, catalogue, 1993.
Varnedoe, Kirk. Wave Hill, The Artist's View, catalogue, 1979.[pages 5-6]
Zelevansky, Lynn. Donna Byars, A.I.R., Art News, 1983.
Zito, Abby. Found Sculpture: To the Rock Pile, Artspeak May 8, 1980.
WHO'S WHO
2000 Outstanding People of the 20th Century, International Biographical Centre, Cambridge, England, 1997.
International Who's Who of Contemporary Achievement, Cambridgeshire, England, Autumn 1984.
Who's Who in American Art, Jacques Cattell Press, Tempe, Arizona, Spring 1984.
Who's Who of American Women, Marquis Who's Who, Inc., Chicago, 19th & 20th Editions.
Who's Who in American Art, Marquis Who's Who, Inc., Berkeley Heights, New Jersey, 32nd edition. 2012.
Who's Who in the East, Marquis
Who's Who, Inc., Chicago, 20th Edition.
Who's Who in the World, Marquis Who's Who, Inc., Chicago, 13th Edition.
World's Who's Who of Women,The, Cambridge, England. Winter 1979.
Aldrich, Larry. Introduction, Contemporary Reflections 1975‑76, catalogue, May 1976.
Alloway, Lawrence. Art, The Nation, November 8, 1975.
Anderson, Amy. Art (review), Village Voice, June 5, 1979.
Ashberry, John. The Sculpture of Summer, New York Magazine, July 23, 1979
Burnside, Madeline and Ingberman, Jeanette. Private Icon, catalogue, The Bronx Museum of Art, March 1979.[pages 1-2]
Cohen, Rebecca S. You Are What You Art. The Austin Chronicle, Austin, Texas, July 19, 1999.
Collischan, Judy. Made in the U.S.A.: Modern/Contemporary Art in America, iUniverse: Bloomington, IN. 2010.
Collischan Van Wagner, Judy. Public Art Program, Long Island University, C.W. Post Campus, 1985–1988.
Cone, Michele. Introduction, Totems, Fetishes, and Devotional Objects, catalogue, May 1980.
Gussow, Alan. Donna Byars, America the Beautiful Fund. Summer 1976.
Dunbar, Jill. Byars Assemblages: Ritualistic Elegance. Review, Art / Four Shows That Go Beyond Canvas. Villager, May 1, 1977.
Du Plessis, Nancy. Yonkers: An Art Colony Grows, Westchester Magazine, April 1978.
Feinberg, Jean. Look Before You Read—An Anti Statement, catalogue, Robert Freidus Gallery, April 1978.
Frankel, David (editor). Sniper’s Nest: Art that has lived with Lucy R. Lippard, catalogue. Bard College, Annandale-on-Hudson, 1996.
Glueck, Grace. New Sculpture Under the Sun, from Staten Island to the Bronx, The New York Times, August 3, 1979.
Greenspan, Stuart. Thirteen Sculptors: Robert Freidus Gallery, Artforum, October 1978.
Gussow, Alan. Artists In Residence 1975-1976-1977. Palisades Interstate Park, 1977.[Introduction] [page 2]
Gussow, Alan. A.I.R. Gallery, March 31—April 18, 1987. Artist-In-Residence, American Academy in Rome, 1986.
Hammond, Harmony. A Sense of Touch. Heresies #12:SEX ISSUE, 1981, and Wrappings: Essays on Feminism, Art, and the Martial Arts, 1984.
Hess, Elizabeth. Group Flex, Village Voice, December 31, 1980.
Jaeger, Williams. Inspired by Moby Dick. Times Union, Albany, New York, June 21, 1998.
Kelly, James J. The Sculptural Idea, (3rd Edition, Burgess Publishing Company).
Kerswill, Margaret D. Summoned by the Spring, 10 Years of Public Art, catalogue, Hillwood Art Museum, Long Island University, C. W. Post Campus, Brookville, New York, 1994.
Kingsley, April. Have We Overcome? Village Voice, February 13,1978.
Kuspit, Donald. Curated Slides, A.l.R. Gallery.
Kreisberg, Louisa. Gals, Stronger Than Men in Sculpture, The Daily News, Tarrytown,New York, April 13, 1979.
Lady‑Unique, Inclination‑of‑the‑Night Collective. Whatever is Sacred, Autumn 1980, Autumn 1983.
Lauter, Estella. Women as Mythmakers: Poetry and Visual Art by Twentieth Century Women. Indiana University Press, Bloomington. 1984.
[page 155]
Lippard, Lucy R. Overlay: Contemporary Art and the Art of Prehistory. The New Press, New York, 1983., Image 28C. Donna Byars: Dream Stones, 1979. Wave Hill sculpture show. [page 39]
Lipson, Karin. Work On the Cutting Edge: by 30 artists, chosen by 10 curators, through June 25 at the Fine Arts Museum of Long Island. Newsday: The Long Island Newspaper. 1989.
Lubell, Ellen. Review, Arts Magazine, December 1975.
Lubell, Ellen. Review, Arts Magazine,March 1976.
Lubell, Ellen. Review, Arts Magazine, September 1977.
Lubell, Ellen. Review, , The Soho Weekly News, July 5, 1979.
Lubell, Ellen. Women Artists: Self-Images, exhibition catalogue, 16 exhibits curated by the New York Chapter of the Women's Caucus for Art. February 1982. [page 31]
Mahoney, Robert. Review, Arts Magazine, November 1988.
Massie, Rebecca. The Sydney and Frances Lewis Contemporary Art Collection catalogue, Introduction, Virginia Museum, Richmond, 1980.
Miller, Lynden. Contact: Women and Nature, Women Artist Newsletter, April 1977.
Moore, Sylvia. Contact: Women and Nature, The Feminist ArtJournal, Spring 1977.
Nairne, Sandy. Thinking About Exhibitions, The Institutionalization of Dissent. Reesa Greenberg, Bruce W Ferguson, Sandy Nairne, editors. Routledge, London 1996.Olejarz, Harold. Review, Contemporary Sculpture. Arts Magazine, September 1978.
Orenstein, Gloria Feman. Reemergence of the Archetype of the Great Goddess in Art by Contemporary Women. Heresies, fifth issue (Goddess issue), 1978. La Réémergence de la Grande Déesse dans l’Art Feminin Contemporain, Sorcières, 1980 [page 79]
Orenstein, Gloria Feman. The Green Stubborn Bud: Women's Culture at Century's Close. Kathryn F. Clarenbach, Edward L. Kamarck, editors. The Scarecrow Press, Inc: London. 1987.[page 47]
Orenstein, Gloria Feman. The Reflowering of the Goddess, Pergamon Press.
Orenstein, Gloria Feman. Visibly Female: Feminism and Art Today. Hilary Robinson, editor. Universe Books: New York. 1987. [page 165]
Perreault, John. Sculpture Garden Treasure Hunt, The Soho Weekly News, June14, 1979.
Perreault, John. Magical Mystery Tour, The Soho Weekly News, June 11, 1980.
**Personaggi Contemporanei, Edizioni Accademia Italia, Salsomaggiore, Italy, 1981.
Phillips, Marcy S. and Goode-Bryant, Linda. Contextures, Just Above Midtown, New York, NY 1978.
Phillips, Patricia. Review, Artforum, April 1985.
Raynor, Vivien. Education in the Great Outdoors, The New Yorker, July 29, 1979.
Robins, Corinne. Artists In Residence: The First Five Years, Womanart, Winter 1977.
Robins, Corinne. Women and Wood: The Metaphorical Use of Form. Katonah Museum of Art, June 1993.
Rosenblum, Richard. Sticks. The Addison Gallery of American Art, Phillips Academy Catalogue. Featured artwork: Evensong, 1978 [page 4] Andover, Massachusetts, 1984.[page 3]
Rubenstein, Charlotte Streifer. American Women Sculptors. G.K. Hall & Co., Boston, MA, 1990.
Rubenstein, Charlotte Streifer. In Three Dimensions: Women Sculptors of the '90s.
Russell, John. Art People. The New York Times, September 3, 1976.
Seigel, Judy. Mutiny and the Mainstream: Talk that Changed Art, 1975-1990. Midmarch Arts Press, New York, 1992.
Shaunghnessy, Michael. Donna Byars Sculpture. University of Southern Maine Art Gallery, Portland, Maine, 1992
Simpson, Patricia A. Tarantella. P.S. 122 Gallery, exhibition catalogue. New York, N.Y., 1997.
**Newhouse Center for Contemporary Art, in conjunction with the Women's Caucus for Art, NYC Chapter, Staten Island, N.Y., 1995., [page 15]
Tannenbaum, Judith. New York Art Yearbook: 1975-1976. Volume 1. Noyes Art Books, New York 1976. [page 17]
Thea, Carolee. Review, Womanart,' Fall 1977.A.I.R., April 30-May 25)
Tully, Judd. Wave Hill: The Artist's View Looking at Sculpture, A Guide for Young People, catalogue, 1979.
Turner, Kay, Whatever is Sacred, lady‑unique‑inclination‑of‑the‑night, Cycle 5, Autumn 1980.
Turner, Kay. Tile Altars—VI, lady-unique-inclination-of-the-night, Cycle 6, Autumn 1983.
**Women's Art 1977: Momentum and Response,
Turner, Kay, Beautiful Necessity: The Art and Meaning of Women's Altars, Thames and Hudson, New York, NY, 1999.
Van Wagner, Judy Collischan; Becker Davis, Carol. Unaffiliated IV, Hillwood Art Gallery exhibition, C.W. Post Campus, Long Island University, catalogue, 1986.
Van Wagner, Judy Collischan. Public Art Program, Long Island University, catalogue, 1993.
Varnedoe, Kirk. Wave Hill, The Artist's View, catalogue, 1979.[pages 5-6]
Zelevansky, Lynn. Donna Byars, A.I.R., Art News, 1983.
Zito, Abby. Found Sculpture: To the Rock Pile, Artspeak May 8, 1980.
WHO'S WHO
2000 Outstanding People of the 20th Century, International Biographical Centre, Cambridge, England, 1997.
International Who's Who of Contemporary Achievement, Cambridgeshire, England, Autumn 1984.
Who's Who in American Art, Jacques Cattell Press, Tempe, Arizona, Spring 1984.
Who's Who of American Women, Marquis Who's Who, Inc., Chicago, 19th & 20th Editions.
Who's Who in American Art, Marquis Who's Who, Inc., Berkeley Heights, New Jersey, 32nd edition. 2012.
Who's Who in the East, Marquis
Who's Who, Inc., Chicago, 20th Edition.
Who's Who in the World, Marquis Who's Who, Inc., Chicago, 13th Edition.
World's Who's Who of Women,The, Cambridge, England. Winter 1979.